 |
| |
|
Heraldic Heritage
in Monuments |
|
by John Duncan |
|
|
| |
|
 |
|
1st millennium
Pictish stone |
|
It might be said
that something in the way of Monumental Heraldry started in northern
Britain in the later part of the first millennium BC with the
aboriginal Picts - whose name is actually a Roman invention from the
late third century AD. With the Z rods, moons, deer, elephant,
salmon, cauldrons, mirrors and combs, ravens, axes and horses etc.
that they cut into
standing stones and monoliths, these ‘iron age’ Picts give us our
first true glimpse of the use of monumental symbolism in northern
Britain. Without a great deal more information, from other sources
that are unlikely to have survived, it isn't possible to say that
these inscriptions were hereditary or organized in ways analogous to
heraldry in later centuries, but it is probably safe to say that
they were used in many of the same ways: to mark out territorial
ownership, as personal statements of identity, or as group markers
of tribal identity (though perhaps in not quite the same way as a
modern clan member's badge!) |
|
| |
By 503AD the
Celtic Scots had entered northern Britain from the west and had
begun to introduce Christianity to the aboriginal Picts. From this
time on new forms of symbolism - griffins, dragons, knot work,
vines, trees, all sorts of beasts and mythical creatures - began to
be cut into new forms of monuments - monumental stone crosses
and grave slabs, perhaps for much the same reasons that similar
things were decorated heraldically in later centuries.
The defeat of the
Pict’s in 841AD by the Scots Celts and the unification of the two
peoples under Kenneth MacAlpin in 843AD saw the the ‘Stone of
Destiny’, the symbolic and metaphoric seat of power of the Celtic
Dalriadic Kings, moved to Scone in the old Pictish kingdom, which
was to become the centre of government, a real seat of power in
Scotland with the birth of a Scottish nation of diverse peoples – a
nation which continued to be diverse in its origins and traditions,
as the heraldry of later centuries records. |
 |
| 2nd
Millennium Pictish Stone |
|
showing the Celtic Religious |
| Influence-
reverse Celtic Cross |
|
|
| |
|
 |
|
The 'Stone of Destiny' |
|
Although there is no definite and clear start date
for heraldry as we know it today in Scotland, it had certainly been
established by the later part of the 12th century and
although growing in use, as can be seen from 12th century
seals, that growth and development was sadly poorly documented in
the remains that have come down to us. |
|
| |
Within a century or so of the
establishment of heraldry in Scotland the long struggle against
English imperialism had begun with the invasion under England's
Edward II and the start of the Wars of Independence. Things were to
calm down for a while with victory at Stirling Bridge, but it took
eight years of struggle from the crowning of Robert Bruce in 1306
until English military occupation was definitively ended at
Bannockburn.
Whatever heraldic records there were in those times, whether in
Scotland or stolen away by the former occupying power, have long
since vanished and all we are left with are the seals and monuments.
And this, unfortunately, remains true of Scots heraldry through
medieval, Renaissance and Reformation times, as much of the written
and painted record has either gone in the flames of unfortunate
fires or was stolen away in a later English military occupation, the
one of the 1650s.
But although we lack the written and painted records, what we do
have, as we have for the Picts, is the records of the monument in
stone and, which we don't have for the Picts, |
 |
| Gilbet de
Greenlaw |
| Killed in the
battle of Harlaw 1411 |
|
|
| |
 |
|
Arms of Charles I - 1634,
Banff |
|
the carvings in the
much more perishable medium of wood.
Over
the coming months the aim is to make a record in the
‘Monumental Heraldry Gallery’
of some of
our heraldic gems from medieval, Renaissance, Reformation and
Baroque times up to the start of the statutory written record in
1672, including, along the way monumental heraldry from elsewhere -
for the aim of the Society is to encourage the study of heraldry
both "indigenous and international"
|
|
|
|